Les Schwab Amphitheater

Cake
Best-known for their ubiquitous hit "The Distance," Cake epitomized the postmodern, irony-drenched aesthetic of ‘90s geek rock. Their sound freely mixed and matched pastiches of widely varying genres -- white-boy funk, hip-hop, country, new wave pop, jazz, college rock, and guitar rock -- with a particular delight in the clashes that resulted....

Sigur Ros
Named in part after a sister of one of the bandmembers, Reykjavik, Iceland's Sigur Rós (Victory Rose) was formed by guitarist and vocalist Jon Thor Birgisson, bassist Georg Holm, and drummer Agust. Formed in early 1994 while the members were teenagers, the trio's first recorded song earned them a deal with Iceland's Bad Taste label....

Steve Miller Band
Steve Miller's career has encompassed two distinct stages: one of the top San Francisco blues-rockers during the late '60s and early '70s, and one of the top-selling pop/rock acts of the mid- to late '70s and early '80s with hits like "The Joker," "Fly Like an Eagle," "Rock'n Me," and "Abracadabra....

Pink Martini
The eclectic, acoustic-oriented sounds of Pink Martini have never been easy to categorize, but that hasn't prevented the Portland, OR-based band from acquiring a loyal, enthusiastic cult following. Some reviewers have considered Pink Martini to be a product of the neo-swing trend of the 1990s and have compared them to bands like the Squirrel Nut Zippers, Big Bad Voodoo Daddy, and the Cherry Poppin' Daddies; however, Pink Martini have a much broader range of influences....

Michael Franti
Since his days as a member of the Beatnigs while in his early twenties, Michael Franti grew from an angry young hip-hopper with a political, socially conscious bent (the Disposable Heroes of Hiphoprisy, Spearhead) to a man who channeled his seriousness, social unease, and desire for change and merged them with his love for music, particularly old-school R&B, soul, and hip-hop....